After the success of this season, I am planning again my Masterclass for the season 2026-2027! I will be teaching a monthly weekend program of improv masterclass. In it, a small group of advanced students will dive deeper into the art form and explore scenework with me.

Does that sound like something you would be interested in? Read on, and sign up below!

Is this for you?

This masterclass is for any ambitious intermediate to advanced improviser that would like to dive deeper into the work of unscripted theatre. It’s perfect for you if:

• You want to improve your scene work and diversify your way of playing
• You are ambitious and in a learning mindset
• You are open to feedbacks and notes, and willing to work on your blind spots
• You enjoy working with a tight group of like-minded people together throughout a year
• You are curious about my improv style and Flock Theatre’s approach
• You’re excited by the idea that improv is never “finished”—there’s always more to discover

You feel like you’re ambitious but you’re not sure you’re ‘good enough’? Ask me about it!

Quotes from students of the previous season

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“It’s exactly what I hoped and more :) I felt like I had not developed and learned new things for a while.”

“My point of view on improv becomes clearly more and more professional.”

“The chance to learn/develop, combined with Gael’s skills and the Flock atmosphere was a really appealing combination”

“It’s the possibility to work on certain skills, repeatedly over a longer time and with a stable group on a comparable experience-level.”

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• Read more—full quotes from the students

The content of the masterclass

The masterclass focuses on sharpening your scene work skills, in order to deepen relationships, the world and your own character. The type of work will be a combination of genuine, silly, heartfelt, grounded, truthfully comedic and sometimes heartbreaking.

Lucy Trodd and Jordan Clarke at Flock Theatre © Robin Straaijer (2025)

We will explore the full range of what is possible to feel, while developing a coherent reality here and now, with your scene partners. Theatre is made for the audience first—and we’ll keep that at the center of our work.